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 on but a few of these interests. And when he concentrated, he achieved greatness.

In 1863 Hardy made his greatest efforts to succeed in the actual business of architecture. For a time he put aside all temptations to venture into the attractive byways he was discovering at every turn, and bent steadily over his drawing-board, his rules and compasses, his specifications. This application soon bore fruit.

The Architectural Association for design selected one of his efforts for particular recognition, and awarded him the annual prize. Stimulated by this success, Hardy prepared a technical essay to be entered in the competition for the medal and the ten-pound prize offered by the Royal Institute of British Architects. The subject he chose was The Application of Coloured Bricks and Terra Cotta to Modern Architecture. The monograph was at length completed, and mailed forthwith, under the suggestive motto "Tentavi quid in eo genere possem." The award was shortly afterwards announced. Hardy had won the medal—but not, alas, the financial award that usually went with it. The judge's report read as follows:

"The author of the essay has scarcely gone sufficiently into the subject proposed, and that portion referring to moulded and shaped bricks has scarcely been noticed. The essay, as far as it is written, is a very fair one, and deserves the medal, but, for the above reason, we cannot recommend that the supplementary sum of £10 be given with it.