Page:Life of Thomas Hardy - Brennecke.pdf/136

 basing conclusions on points of comparison between the rather meagrely known facts in the life of Hardy and the colorful figures and careers of his characters. But the general drift of the "architectural" sections of his works of fiction undoubtedly indicates that his fundamental theory of the absolute equality and ultimate unity of all the arts was clearly reflected in an ineradicable vein of all-embracing eclecticism.

Just as he could appreciate all styles of painting, so did he display fondness for the most violently contrasted schools of architecture. In like manner, when we follow his tastes in literature, we shall find them ranging from Gibbon and Voltaire to Newman and Matthew Arnold; from the Bible and Wordsworth to Æschylus and Swinburne.

Keenly as Hardy realized the beauties and potential values of his architectural studies, as he walked along the streets of the metropolis during the year 1862, he felt a growing need at this time for the thorough academic training which he had never received. He accordingly cast about for some opportunity to build upon his scant knowledge of the general arts and sciences. King's College, in the University of London, happened to be offering evening classes particularly for ambitious young men who found themselves in Hardy's position. He therefore attended these classes faithfully for some time, adding materially to his mental equipment and emerging in the end with more than a fair scholarly endowment, as his later work was to demonstrate.