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 points of resemblance between this earliest of heroes and what one knows about the early career of the writer, that one is sorely tempted to believe that we here have unmistakable autobiographic notes, in spite of Hardy's later assertions that an old and defunct acquaintance supplied the bases for this character. The truth seems to be that he drew partially from his own experiences, partially from those of his friend, and mingled them together with purely fictitious material to build up his protagonist.

Springrove, we learn, is the son of a commoner, but widely read and keenly appreciative of art, of a melancholy turn of mind, about twenty-six years of age, untidy in personal appearance, a Shakespeare enthusiast, and a writer of "disillusioned" verses. All of these things might have been said of Hardy in 1866.

Owen describes Springrove as follows:

"He seems a very nice fellow indeed; though of course I can hardly tell to a certainty as yet. But I think he's a very worthy fellow; there's no nonsense in him, and though he is not a publicschool man he has read widely, and has a sharp appreciation of what's good in books and art. In fact, his knowledge isn't nearly so exclusive as most professional men's."

"That's a great deal to say of an architect, for of all professional men, they are, as a rule, the most professional."

"Yes; perhaps they are. This man is rather of a melancholy turn of mind, I think." . ..

"He is a man of very humble origin, it seems, who has made himself so far. I think he is the son of a farmer, or something of the kind. . . . He's about six-and-twenty, no more. . . . He is rather untidy in his waistcoat, and neckties, and hair."

"How vexing!" . . . it must be to himself, poor thing."

"He's a thorough bookworm—despises the pap-and-daisy