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 Hardy paid towards the end of his life to his earliest architectural experiences. A still later memory is preserved in his famous letter of October 7, 1914, to the English press on the bombardment of the Cathedral at Rheims. After discussing the patent impossibility of an entirely adequate renewal of all the damaged portions of the edifice (inasmuch as some of them dated from the Thirteenth Century, Gothic architecture of that period being now an unpracticed art), and after deploring the losses which the window, in particular, had suffered, he went on to say:

"Moreover their antique history was a part of them, and how can that history be imparted to a renewal? When I was young, French architecture of the best period was much investigated, and selections from such traceries and mouldings as those at Rheims were delineated with the utmost accuracy, and copied by architects' pupils—myself among the rest. It seems strange, indeed, now that the curves we used to draw with such care should have been broken as ruthlessly as if they were a cast-iron railing replaceable from a mould."

Hardy did not devote all his energies to his architectural work, particularly in the early years of his indentures, attractive as he discovered his technical studies of Gothic art to be. He was already inclining towards the attractions of literature, poetry in particular. The charms of his native Dorset seemed to be intensified by