Page:Lewis - Babbitt.djvu/69

Rh their own images in the massy mirror. Voices thick, satisfied, authoritative, hurtled along the marble walls, bounded from the ceiling of lavender-bordered milky tiles, while the lords of the city, the barons of insurance and law and fertilizers and motor tires, laid down the law for Zenith; announced that the day was warm-indeed, indisputably of spring; that wages were too high and the interest on mortgages too low; that Babe Ruth, the eminent player of baseball, was a noble man; and that "those two nuts at the Climax Vaudeville Theater this week certainly are a slick pair of actors." Babbitt, though ordinarily his voice was the surest and most episcopal of all, was silent. In the presence of the slight dark reticence of Paul Riesling, he was awkward, he desired to be quiet and firm and deft.

The entrance lobby of the Athletic Club was Gothic, the washroom Roman Imperial, the lounge Spanish Mission, and the reading-room in Chinese Chippendale, but the gem of the club was the dining-room, the masterpiece of Ferdinand Reitman, Zenith's busiest architect. It was lofty and half-timbered, with Tudor leaded casements, an oriel, a somewhat musicianless musicians'-gallery, and tapestries believed to illustrate the granting of Magna Charta. The open beams had been hand-adzed at Jake Offutt's car-body works, the hinge; were of hand-wrought iron, the wainscot studded with handmade wooden pegs, and at one end of the room was a heraldic and hooded stone fireplace which the club's advertising-pamphlet asserted to be not only larger than any of the fireplaces in European castles but of a draught incomparably more scientific. It was also much cleaner, as no fire had ever been built in it.

Half of the tables were mammoth slabs which seated twenty or thirty men. Babbitt usually sat at the one near the door, with a group including Gunch, Finkelstein, Professor Pumphrey, Howard Littlefield, his neighbor, T. Cholmondeley Frink, the poet and advertising-agent, and Orville Jones, whose