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Rh erences to Sir Gerald Doak. He felt daring and idealistic and cosmopolitan.

Suddenly, in his new spiritual grandeur, he was sorry for Zilla Riesling, and understood her as these ordinary fellows at the Boosters' Club never could.

Five hours after he had arrived in Zenith and told his wife how hot it was in New York, he went to call on Zilla. He was buzzing with ideas and forgiveness. He'd get Paul released; he'd do things, vague but highly benevolent things, for Zilla; he'd be as generous as his friend Seneca Doane.

He had not seen Zilla since Paul had shot her, and he still pictured her as buxom, high-colored, lively, and a little blowsy. As he drove up to her boarding-house, in a depressing back street below the wholesale district, he stopped in discomfort. At an upper window, leaning on her elbow, was a woman with the features of Zilla, but she was bloodless and aged, like a yellowed wad of old paper crumpled into wrinkles. Where Zilla had bounced and jiggled, this woman was dreadfully still.

He waited half an hour before she came into the boarding-house parlor. Fifty times he opened the book of photographs of the Chicago World's Fair of 1893, fifty times he looked at the picture of the Court of Honor.

He was startled to find Zilla in the room. She wore a black streaky gown which she had tried to brighten with a girdle of crimson ribbon. The ribbon had been torn and patiently mended. He noted this carefully, because he did not wish to look at her shoulders. One shoulder was lower than the other; one arm she carried in contorted fashion, as though it were paralyzed; and behind a high collar of cheap lace there was a gouge in the anemic neck which had once been shining and softly plump.