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 Australia were exhibited, or a billiard-table manufactured in the Bermudas. I even had the luck to behold a statue of the Prince of Wales, made of Canadian butter, and it filled me with regret that the majority of London monuments are not also made of butter. Whereupon I was again thrust forward by the stream of people and gave myself up to the view of the throat of a stout gentleman or of an old lady’s ear in front of me. However, I made no objection: what a crush there would be if in the Australian refrigerator section the florid throats of stout gentlemen were exhibited, or in the clay palace of Nigeria baskets containing the dried ears of old ladies.

Powerlessly I abandon the intention of producing an illustrated guide to the Wembley Exhibition. How am I to portray this commercial cornucopia? It comprises stuffed fruit, dried plums, arm-chairs manufactured in Fiji, mountains of dammar and tin ore, festoons of legs of mutton, dried copra like gigantic bunions, pyramids of preserved foods,