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AGREEMENT AND DISCREPANCIES OF THE GOSPELS. xxvii the Apostle Paul; and composed his work in the parts of Achaia and Bœotia. He aimed somewhat loftily; and as he himself confesses in his Preface, narrated what he had heard rather than what he had seen. The last is John, the Apostle and Evangelist, who loved Jesus very greatly, and who, lying upon the Lord’s bosom, drank of the very purest streams of doctrine, and who alone was privileged to hear from the Cross, ‘Behold thy Mother.’”

These four so appropriately wrote the words and deeds of Christ, that they seem to make a kind of musical harmony of four chords; for what each one writes is different in style from the others, but agrees with them in meaning and in facts. What one is silent about, another supplies: what one gives concisely, another relates more at large: what one obscurely hints at, another gives at length. As S. Augustine says, “Although each seems to have preserved his own order in writing, yet they are not found to have written as though any one were ignorant of what had been said by him who preceded; but as each was inspired, he added the not superfluous co-operation of his own labour.”

Lastly, the discrepancies of the Evangelists are the greatest possible testimony to their truthfulness. As S. Chrysostom says in his Preface to S. Matthew, “If altogether and in every respect they exactly corresponded, and with the utmost precision with respect to times and places were in perfect verbal agreement, there is not one of our enemies but would believe, that they were engaged in a common design to deceive, and that they had framed the Gospels by human understanding, for they would not judge that this supposed harmony arose from simple sincerity, but was the result of contrivance.” And again, he says, “If any one