Page:Language of the Eye.djvu/27

Rh CHAPTER III.

MOTION AND SHAPE.

would now refer to the general doctrine of motion and shape: the former arises from polarity, or constant duplicity of force; indeed, a polar tension lies at the bottom of all motion, which must, therefore, in its course, realize a sphere, which is the only shape in which the Creator and his various manifestations appear. Neither sun, moon, nor any of the fiery globes, or æriform vibrations, or sea, or cataract can ever assume any form but the spherical; indeed, there are no straight lines in life or nature, and, for that reason, there are no angles. This may appear an extravagant declaration; but whenever we test this proposition, we shall discover therein the wonderful and harmonious purposes of God in so appointing and endowing all his agents with this single but beautiful shape and action. This spherical motion encounters no opposition in nature; it requires the least power and produces the greatest, occupying the least possible space. In its development sounds of nature travel, and those of music or voice are most beautiful and sweet, when rendered in that shape. This motion incurs the least possible injury to bodies, and often realizes many symbols of the sublime, such as smoothness, brightness, continuity, &c. &c. The engineer so fashions the stony bulwark of piers, the bows of vessels, and all parts of art which have to companionize with nature. It is the contour of the first line of our existence. It is the shape and motion of that organ which contains the divine