Page:Landscape Painting by Birge Harrison.djvu/29

 They were the first to see and to record the pearly tones of out-door nature, and their technical bequest to posterity was an extended gamut of grays and mauves and lilacs which remain upon the artist's palette to the present day.

A scant half-dozen of their pictures drifted over to France, and there became the inspiration of a new art movement, which finally resulted in the great school of Barbizon. Millet and Troyon, Corot and Rousseau incontestably produced greater work than Crome and Constable, but their pictures were all painted on the lines marked out by the Englishmen. Indeed, it is questionable if we should have ever had a Barbizon school had it not been for the iconoclasts across the Channel.

While the great Barbizon school of painters was still in its prime, there appeared upon the artistic horizon another