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 of Oriental, as the Parthenon is of Grecian, and the Cologne Cathedral of Gothic art. As I saw it the other night, lit by the flames of a conflagration, standing out red and clear against the darkness, I felt inclined to place it on a level with either of those renowned structures. It is a product of the rich fancy of the East, splendidly ornate, and not without a high degree of symmetry — yet here the symmetry is that of ornament alone, and not the pure, absolute proportion of forms, which we find in Grecian Art. It requires a certain degree of enthusiasm — nay, a slight inebriation of the imaginative faculties — in order to feel the sentiment of this Oriental Architecture. If I rightly express all that it says to me, I touch the verge of rapsody. The Hast, in almost all its aspects, is so essentially poetic, that a true picture of it must be poetic in spirit, if not in form.

Constantinople has been terribly ravaged by fires, no less than fifteen having occurred during the past two weeks Almost every night the sky has been reddened by burning houses, and the minarets of the seven hills lighted with an illumination brighter than that of the Bairam. All the space from the Hippodrome to the Sea of Marmora has been swept away; the lard, honey, and oil magazines on the Golden Horn, with the bazaars adjoining; several large blocks on the hill of Galata, with the College of the Dancing Dervishes; a part of Scutari, and the College of the Howling Dervishes, all have disappeared; and to-day, the ruins of 3,700 houses, which were destroyed last night, stand smoking in the Greek quarter, behind the aqueduct of Valens. The entire amount of buildings consumed in these two weeks is estimated at between five and six thousand! The fire on the hill of Galata threatened to