Page:Landon in Fisher's Drawing Room Scrap Book 1835.pdf/74

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celebrated Italian was essentially the painter of beauty. Of the devotion with which he sought its inspiration in its presence, a remarkable instance is recorded. He either could not or would not paint without the presence of his lovely mistress,

[! not for him the dull and measured eye, Which colours nothing in the common sky, Which sees but night upon the starry cope, And animates with no mysterious hope. Which looks upon a quiet face, nor dreams If it be ever tranquil as it seems; Which reads no histories in a passing look, Nor on the cheek which is the heart's own book, Whereon it writes in rosy characters Whate'er emotion in its silence stirs. Such are the common people of the soul, Of whom the stars write not in their bright scroll. These, when the sunshine at the noontide makes Golden confusion in the forest brakes,