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 Judy paused a while, looking at the young girl lovingly. Then she spoke in a level absent voice as though unconsciously.

"I don't see a child—now. I see a young woman of twenty; and a fine well-grown young woman at that. Look at her figure, straight and clean as a young pine. Type of figure that is the most alluring of all to men; what the French call fausse maigre. She has great gray eyes as deep as the sky or the sea; eyes that can drag the soul out of a man's body and throw it down beneath her dainty feet. I may be an old maid; but I know that much anyhow. Her hair is black—that isn't black, but with a softness that black cannot give. Her skin is like ivory seen in the sunset. Her mouth is like a crimson rosebud. Her teeth are like pearls, and her ears like pink shell. Her head is poised on her graceful neck like a lily on its stem. Her nose is a fine aquiline—that means power and determination. Her forehead can wrinkle—that means thought, and may mean misery. Her hands are long and fine; patrician hands that can endure—and suffer. Sally, there is there the making of a splendid woman and of a noble life; she is not out of her girlhood yet, but she is very near it. Ignorance is no use to her. She will understand; and then she will take her own course. She has feeling deep and strong in the very marrow of her bones. Ah! my dear, and she has passion too. Passion that can make or mar. That woman will do anything for love. She can believe and trust. And when she believes and trusts she will hold the man as her master; put him up on a pedestal and be content to sit at his feet and worship—and obey … She …"

Here the mother struck in with surprised consternation "How on earth do you know all this?" Judy turned towards her with a light in her eyes which her sister had never seen there:

"How do I know it! Because she is of my blood and yours. Have I not seen a lot of it in you in our babyhood.