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110 guffaws, he drew it together into a confidential intensity, it became drawlingly reminiscent, he was frank, frank with the effect of a revelation, reticent also with the effect of a revelation, a stupendously gesticulating, moonlit black figure, wallowing in itself, preaching Adventure and the Flesh to Kipps. Yet withal shot with something of sentiment, with a sort of sentimental refinement very coarsely and egotistically done. The Times he had had!—even before he was as old as Kipps he had had innumerable times.

Well, he said with a sudden transition, he had sown his wild oats—one had to somewhen—and now he fancied he had mentioned it earlier in the evening, he was happily married. She was, he indicated, a "born lady." Her father was a prominent lawyer, a solicitor in Kentish Town, "done a lot of public house business"; her mother was second cousin to the wife of Abel Jones, the fashionable portrait painter—"almost Society people in a way." That didn't count with Chitterlow. He was no snob. What did count was that she possessed, what he ventured to assert without much fear of contradiction, was the very finest, completely untrained contralto voice in all the world. ("But to hear it properly," said Chitterlow, "you want a Big Hall.") He became rather vague and jerked his head about to indicate when and how he had entered matrimony. She was, it seemed, "away with her people." It was clear that Chitterlow did not get on with these people very well. It would seem they failed to appreciate his playwright,