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8 backs: like chicken houses with chicken-runs. They call this making a new country, do they?"

"Well, how would you start making a new country yourself?" asked Somers, a little impatiently.

"I wouldn't have towns—and corrugated iron—and millions of little fences—and empty tins."

"No, you'd have old chateaus and Tudor manors."

They went down, hearing a banging at the back door, and seeing a tradesman with a basket on his arm. And for the rest of the day they were kept busy going to the door to tell the inexhaustible tradespeople that they were now fixed up with grocer and butcher and baker and all the rest. Night came on, and Somers sat on his tub of a summer-house looking at the lights glittering thick in swarms in the various hollows down to the water, and the lighthouses flashing in the distance, and ship lights on the water, and the dark places thinly sprinkled with lights. It wasn't like a town, it was like a whole country with towns and bays and darknesses. And all lying mysteriously within the Australian underdark, that peculiar lost, weary aloofness of Australia. There was the vast town of Sydney. And it didn't seem to be real, it seemed to be sprinkled on the surface of a darkness into which it never penetrated.

Somers sighed and shivered and went down to the house. It was chilly. Why had he come? Why, oh why? What was he looking for? Reflecting for a moment, he imagined he knew what he had come for. But he wished he had not come to Australia, for all that.

He was a man with an income of four hundred a year, and a writer of poems and essays. In Europe, he had made up his mind that everything was done for, played out, finished, and he must go to a new country. The newest country: young Australia! Now he had tried Western Australia, and had looked at Adelaide and Melbourne. And the vast, uninhabited land frightened him. It seemed so hoary and lost, so unapproachable. The sky was pure, crystal pure and blue, of a lovely pale blue colour: the air was wonderful, new and unbreathed: and there were great distances. But the bush, the grey, charred bush. It scared him. As a poet, he felt himself entitled to all kinds of emotions and sensations which an