Page:Journey to Lhasa and Central Tibet.djvu/183

 A broad street runs in front of the Jo khang, and the road which comes from the Pargo kaling gate terminates on its western face, and here grows a tall poplar said to have sprung from the hair of the Buddha. Beside this is the ancient stone tablet erected by the Tibetans in the ninth century to commemorate their victory over the Chinese, and which gives the text of the treaty then concluded between the Emperor of China and King Ralpachan.

The magnificent temple engrossed, however, all my attention. In front of it is a tall flag-pole, at the base of which hang two yak-tails, some inscriptions, and a number of yaks and sheep-horns. In the propylon of the chief temple (Tsang khang), the heavy wooden pillars of which are three to four feet in circumference, and about twelve feet high, upwards of a hundred monks were making prostrations before the image of the Lord (Jo-vo) on a throne facing the west. This famous image of the Buddha, known as Jo-vo rinpoche, is said to have been made in Magadha during the lifetime of the great teacher. Visvakarma is supposed to have made it, under the guidance of the god Indra, of an alloy of the five precious substances, gold, silver, zinc, iron, and copper, and the "five precious celestial substances," probably diamonds, rubies, lapis-lazuli, emeralds, and indranila.

The legend goes on to say that the image was in the first place sent from India to the capital of China in return for the assistance the Emperor had given the King of Magadha against the Yavanas from the west. When the Princess Konjo, daughter of the Emperor Tai-tsung, was given in marriage to the King of Tibet, she brought the image to Lhasa as a portion of her dowry.