Page:Journal of Negro History, vol. 7.djvu/259

 It would be an injustice to this poet did I convey the idea that his seventy-odd poems are exclusively occupied with race wrongs and oppression. Not a few of them, bear no stamp of an oppressed or afflicted spirit, though of sorrow they may have been nurtured.

A lyric of pure loveliness is the following, entitled:

All the pleasance of her face

Telleth of an inward grace;

In her dark eyes I have seen

Sorrows of the Nazarene;

In the proud and perfect mould

Of her body I behold,

Rounded in a single view,

The good, the beautiful, the true;

And when her spirit goes up-winging

On sweet air of artless singing,

Surely the heavenly spheres rejoice

In union with a kindred voice.

The Wings of Oppression strikes a high level of artistic expression and makes a quite extraordinary appeal. It is intense poetry, lyrical and meditative.

Here is that solid body of thought which, in addition to artistic expression, is requisite to poetry that attains and holds a high place of esteem. Great variety of form is also here; excellent blank verse with a movement at once easy and restrained, an equable, strong flow, bearing lofty meditations; sonnets after the manner of the masters; octo-syllabics of sententious felicity; various apt lyrical stanzas. Culture alone, of which there is abundant evidence, could not have produced these poems. The poetic endowment, thoroughly disciplined, was necessary. Mr. Leslie Pinckney Hill is a poet. His powers are rich, varied, and developing. His second book will be better than this excellent first.

But more than the merit that has been intimated there is in these lyrics and measured musings a pathos, a restrained Laocoön cry, that must be to thousands an arresting revelation of the unimagined sufferings of the cultured colored people of our land. Mr. Hill's Wings of Oppression has a message in it for America.