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 as fresh to-day as when it was written, and has found a home in every corner of the globe, which is read by children for its fable and by men for its satire, merely arouses the wrath of the critic: "As for the moral," says Thackeray, "I think it horrible, shameful, unmanly, blasphemous; and giant and great as this Dean is, I say we should hoot him,"

Hooting is perhaps not the soundest method of criticism, and yet were Swift all that he has been painted, hooting would seem mild and inefficient. "If you had been his inferior in parts"—again it is Thackeray who speaks—"his equal in mere social station, he would have bullied, scorned, and insulted you; if, undeterred by his great reputation, you had met him like a man, he would have quailed before you, and not had the pluck to reply, and gone home, and years after written a foul epigram about you—watched for you in a sewer, and come out to assail you with a coward's blow and a dirty bludgeon." Of course this amazing invective, which has no touch with reality, is an expression of Victorian prejudice and no more. 9