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224 , July 30, 1751.

the innumerable practices by which interest or envy have taught those who live upon literary fame to disturb each other at their airy banquets, one of the most common is the charge of plagiarism. When the excellence of a new composition can no longer be contested, and malice is compelled to give way to the unanimity of applause, there is yet this one expedient to be tried, by which the author may be degraded, though his work be reverenced; and the excellence which we cannot obscure, may be set at such a distance as not to overpower our fainter lustre.

This accusation is dangerous, because, even when it is false, it may be sometimes urged with probability. La Bruyere declares, that we are come into the world too late to produce any thing new, that nature and life are preoccupied, and that description and sentiment have been long exhausted. It is indeed certain, that whoever attempts any common topick, will find unexpected coincidences of his thoughts with those of other writers; nor can the nicest judgment always distinguish accidental similitude from artful imitation. There is likewise a common stock of images, a settled mode of arrangement, and a beaten track of transition which all authors suppose themselves at liberty to use, and which produce the resemblance generally