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N° 121. of possibility, which fiction claims for her dominion, there are surely a thousand recesses unexplored, a thousand flowers unplucked, a thousand fountains unexhausted, combinations of imagery yet unobserved, and races of ideal inhabitants not hitherto described.

Yet, whatever hope may persuade, or reason evince, experience can boast of very few additions to ancient fable. The wars of Troy, and the travels of Ulysses, have furnished almost all succeeding poets with incidents, characters, and sentiments. The Romans are confessed to have attempted little more than to display in their own tongue the inventions of the Greeks. There is, in all their writings, such a perpetual recurrence of allusions to the tales of the fabulous age, that they must be confessed often to want that power of giving pleasure which novelty supplies; nor can we wonder that they excelled so much in the graces of diction, when we consider how rarely they were employed in search of new thoughts.

The warmest admirers of the great Mantuan poet can extol him for little more than the skill with which he has, by making his hero both a traveller and a warrior, united the beauties of the Iliad and the Odyssey in one composition: yet his judgment was perhaps sometimes overborne, by his avarice of the Homeric treasures; and, for fear of suffering a sparkling ornament to be lost, he has inserted it where it cannot shine with its original splendor.

When Ulysses visited the infernal regions, he found, among the heroes that perished at Troy, his competitor Ajax, who when the arms of Achilles were adjudged to Ulysses, died by his own hand in