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N° 93. or Rapin, that they had very accurately perused all the books which they praise or censure; or that, even if nature and learning had qualified them for judges, they could read for ever with the attention necessary to just criticism. Such performances, however, are not wholly without their use; for they are commonly just echoes to the voice of fame, and transmit the general suffrage of mankind when they have no particular motives to suppress it.

Criticks, like the rest of mankind, are very frequently misled by interest. The bigotry with which editors regard the authors whom they illustrate or correct, has been generally remarked. Dryden was known to have written most of his critical dissertations only to recommend the work upon which he then happened to be employed: and Addison is suspected to have denied the expediency of poetical justice, because his own Cato was condemned to perish in a good cause.

There are prejudices which authors, not otherwise weak or corrupt, have indulged without scruple; and perhaps some of them are so complicated with our natural affections, that they cannot easily be disentangled from the heart. Scarce any can hear with impartiality a comparison between the writers of his own and another country; and though it cannot, I think, be charged equally on all nations, that they are blinded with this literary patriotism, yet there are none that do not look upon their authors with the fondness of affinity, and esteem them as well for the place of their birth, as for their knowledge or their wit. There is, therefore, seldom much respect due to