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206 , January 26, 1751.

T is very difficult to write on the minuter parts of literature without failing either to please or instruct. Too much nicety of detail disgusts the greatest part of readers, and to throw a multitude of particulars under general heads, and lay down rules of extensive comprehension, is to common understandings of little use. They who undertake these subjects are therefore always in danger, as one or other inconvenience arises to their imagination, of frighting us with rugged science, or amusing us with empty sound.

In criticising the work of Milton, there is, indeed, opportunity to intersperse passages that can hardly fail to relieve the languors of attention; and since, in examining the variety and choice of the pauses, with which he has diversified his numbers, it will be necessary to exhibit the lines in which they are to be found, perhaps the remarks may be well compensated by the examples, and the irksomeness of grammatical disquisitions somewhat alleviated.

Milton formed his scheme of versification by the poets of Greece and Rome, whom he proposed to himself for his models, so far as the difference of his language from theirs would permit the imitation. There are indeed many inconveniences inseparable from our heroick measure compared with that of Homer and Virgil; inconveniences, which it is no reproach to Milton not to have