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126 or the gesticulations of the yellow breasted chat, or the nervous and emphatic character of the large-billed water thrush, or the many pretty attitudes of the great Carolina wren; but to give the same dramatic character to the demure little song sparrow, or to the slow moving cuckoo, or to the pedestrian cowbird, or to the quiet Kentucky warbler, as Audubon has done, is to convey a wrong impression of these birds. Wilson errs, if at all, in the other direction. His birds, on the other hand, reflect his cautious, undemonstrative Scotch nature. Few of them are shown in violent action like Audubon's cuckoo; their poses for the most part are easy and characteristic. His drawings do not show the mastery of the subject and the versatility that Audubon's do;—they have not the artistic excellence, but they less frequently do violence to the bird's character by exaggerated activity.