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 4. Jehovah's Reply to Job (ch. xxxviii.-xlii. 6);

5. The Epilogue, in prose (ch. xlii. 7-17).

There are some differences in the arrangement which will presently be followed, but these will justify themselves in the course of our study. Let us first of all examine the Prologue, which will bear to be viewed by itself as a striking specimen of Hebrew narrative. The idyllic manners of a patriarchal age are delineated with sympathy—no difficult task to one who knew the early Hebrew traditions—and still more admirable are the very testing scenes from the supernatural world.

It may perhaps seem strange that this should be only a prose poem, but the truth is that narrative poetry was entirely alien to the Hebrew genius, which refused to tolerate the bonds of protracted and continuous versification. Like that other great hero of parallelistic verse Balaam, Job is a non-Israelite; and in this the unknown author shows a fine tact, for he is thus absolved from the embarrassing necessity of referring to the Law, and so complicating the moral problem under consideration. Job, however, though an Arabian sheich (as one may loosely call him), was a worshipper of Jehovah, who declares before the assembled 'sons of the Elohim' that 'there is none like Job in the earth,' &c. (i. 8). Job's virtue is rewarded by an outward prosperity like that of the patriarchs in Genesis: he was a great Eastern Emeer, and had not only a large family but great possessions. His scrupulous piety, which takes precautions even against heart-*sins, is exemplified to us by the atoning sacrifice which he offers as head of his family at some annual feast (i. 4, 5). Then in ver. 6 the scene is abruptly changed from earth to heaven. The spirit of the narrative is not devoid of a de-*