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458 in the lower. In either case, however, it is something specific. For this reason the word may be used in an English dress, as "prelection". We are here not concerned with the lecture in the higher faculties, but with the prelection or explanation in the literary or classical course. This prelection is two-fold: one is upon the authors, the other upon the precepts of rhetoric, poetry, and style in the higher classes, of grammar, prosody, etc., in the lower classes. The Ratio gives some useful hints as to teaching the principles of rhetoric in connection with the reading of the authors. Taking up a passage, let us say of Cicero, the professor will, in the first place, make clear the sense of the text; secondly, analyze the artistic structure; thirdly, explain the force and meaning of the rhetorical precept contained in the passage; fourthly, adduce other examples which are similar in thought or expression, especially famous and striking ones; cite other orators or poets, whether in the classics or the vernacular, in which the same principles are employed; lastly, weigh the words singly, comment upon the propriety of their use, their rhythm, variety, beauty. The comparison of Latin and Greek authors with those of the vernacular, that treat of similar subjects, was especially recommended by the Jesuits in Germany, in 1830.

The method of explaining authors is sketched admirably in the 27th of the common rules. The first thing the professor is told to do is to read the whole passage through, unless it be too long. There is a very good reason for this. It makes an impression on the