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320 she was gone—no one could tell when, where, or how. She had left Thornfield Hall in the night; every research after her course had been vain: the country had been scoured far and wide; no vestige of information could be gathered respecting her. Yet that she should be found is become a matter of serious urgency; advertisements have been put in all the papers; I myself have received a letter from one Mr. Briggs, a solicitor, communicating the details I have just imparted. Is it not an odd tale?"

"Just tell me this," said I, "and since you know so much you surely can tell it me—what of Mr. Rochester? How and where is he? What is he doing? Is he well?"

"I am ignorant of all concerning Mr. Rochester: the letter never mentions him but to narrate the fraudulent and illegal attempt I have adverted to. You should rather ask the name of the governess—the nature of the event which requires her appearance."

"Did no one go to Thornfield Hall, then? Did no one see Mr. Rochester?"

"I suppose not."

"But they wrote to him?"

"Of course."

"And what did he say? Who has his letters?"

"Mr. Briggs intimates that the answer to his application was not from Mr. Rochester, but from a lady: it is signed "Alice Fairfax."

I felt cold and dismayed; my worst fears then were probably true: he had in all probability left England and rushed in reckless desperation to some former haunt on the Continent. And what opiate for his severe sufferings—what object for his strong passions—had he sought there? I dared not answer the question. Oh, my poor master—once almost my husband—whom I had often called "my dear Edward?"

"He must have been a bad man," observed Mr. Rivers.

"You don't know him—don't pronounce an opinion upon him," I said with warmth.

"Very well," he answered quietly: "and indeed my head is otherwise occupied than with him: I have my tale to finish. Since you won't ask the governess's name, I must tell it of my own accord—stay—I have it here—it is always more satisfactory to see important points written down, fairly committed to black and white."

And the pocket-book was again deliberately produced, opened, sought through: from one of its compartments was extracted a shabby slip of paper, hastily torn off: I recognised in its texture and its stains of ultra-marine, and lake, and vermillion, the ravished margin of the portrait-cover. He got up, held it close to my eyes: and I read, traced in Indian ink, in my own handwriting, the words ""—the work doubtless of some moment of abstraction.

"Briggs wrote to me of a Jane Eyre:" he said, "the