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 The whole matter is a very strange one and not easy to explain. Of course the references to Schelling's labours in similar lines are there, and may in a sense disarm our criticism. But then, unfortunately, there also are the statements that the ideas had been matured in Coleridge's mind before he had seen a single line of Schelling's work, and he clearly gives us to understand that he had toiled out the system for himself, and that it was the 'offspring of his own spirit.' It is this overmuch protesting that makes us, like Ferrier, disposed to take the darkest view of the affair: anything that can be said in Coleridge's defence is found in the manner in which it was taken by the one who had most right to feel aggrieved. In the life of Jowett, recently published, there is an interesting account of Schelling's views on Coleridge, taken from a conversation, notes of which were made by the late Sir Alexander Grant, Ferrier's son- in-law, when still an undergraduate. Jowett, while at Berlin, had, it appears, seen Schelling, and talked to him of the plagiarisms. He took the matter, Jowett states, good-naturedly, thought Coleridge to have been attacked unfairly, and even went so far as to assert that he had expressed many things better than he could have done himself—certainly a very generous acknowledgment. Probably the most charitable construction we can put on Coleridge's act is that which Jowett himself advances in saying that the poet is not to be looked upon or judged as an ordinary man would be, seeing that often enough he hardly could be said to have been responsible for his actions; while his egotism, which was extreme, may have likewise led him—it may be almost unconsciously—into acts of doubtful honesty. But evidently,