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The story of the so-called Coleridge plagiarism is an old one now, but it is one which roused much feeling at the time, and likewise one on which there is considerable division of opinion even in the present day. Into this controversy Ferrier plunged by writing a formidable indictment of Coleridge's position in Blackwood's Magazine for March of 1840.

When Ferrier took up the cudgels the matter stood thus. In the earlier quarter of the century German Philosophy was coming, or rather had already come, more or less into vogue in England; and as the German language was not largely read, and yet people were vaguely interested, though in what they hardly knew, they welcomed an appreciative interpreter of that philosophy, and an original writer on similar lines, in one whose reputation was esteemed so highly as that of Coleridge. Coleridge in this matter, indeed, occupied a position which was unique; for the treasures of German poetry and prose had not as yet been fully opened up, and he was held to possess the means of doing this in a quite exceptional degree. The works of Schiller, Goethe, and the other poets came to the world—and to Coleridge with the rest—as a sort of