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Rh Moore that was not French in 1899 was confessedly English.

Now that those interested have read "Ave," the first volume of the three of "Hail and Farewell," in which Mr. Moore is confessing the reasons of his return to Ireland and of his second departure from Ireland, they know that he had been mildly interested in Ireland as material for art as far back as 1894, and that it was Mr. Martyn who had interested him in the things of home. Mr. Moore tells us all about it more than explicitly in the "Overture" to his trilogy. In the first chapter he tells us that the interest faded away gradually, to be reawakened in 1899 by a visit paid him in London by Mr. Martyn and Mr. Yeats, who came to ask his help in founding a "Literary Theatre in Dublin." Then Mr. Moore learned the story of that theatre's inception, a story to him "disappointingly short and simple. When Yeats had said that he had spent the summer at Coole with Lady Gregory, I saw it all. Coole is but three miles from Tillyra [Mr. Martyn's estate in Galway]; Edward is often at Coole; Lady Gregory and Yeats are often at Tillyra; Yeats and Edward had written plays—the drama brings strange fowls to roost."

It takes Mr. Moore many pages to tell why it was he joined the three in their project, and many more pages to tell of their collaboration during the first two years of the three years that were the life of "The Irish Literary Theatre." The four are, indeed, the principal characters of Mr. Moore's "Ave"—I had almost said his novel "Ave"—himself, Mr. Martyn, Mr. Yeats, and Lady