Page:Irish plays and playwrights (IA irishplaysplaywr00weygrich).pdf/20

 6 first rank. The Irishman is famous the world over as a story-teller, but neither in romance nor in the story of character had he reached first power, reached a position where he might be put alongside of other Europeans as a novelist. No Irishman from the time of Scott on, until Mr. George Moore wrote "Esther Waters" (1894), had written a story that might stand the inevitable comparison with the work of Thackeray and Dickens, Meredith and Mr. Hardy. Of Mr. George Moore I have written in detail below.

Miss Edgeworth may have taught Scott his manner of delineating peasant character, but her comparatively little power is revealed when you put her beside Miss Austen, and so it is all the way down the list to our own day. There are many contemporary story-tellers who have managed well the tale, but what Irish novelist of to-day other than Mr. Moore bulks big, can be compared to even lesser men, like Scotland's Mr. Neil Munro or Dartmoor's Mr. Phillpotts?

Lady Gilbert (Rosa Mulholland) has written many, pleasant stories of Irish life, and Mrs. Katherine Tynan Hinkson has followed worthily in her footsteps. Equally pleasant, but lighter and more superficial, is the writing of the two ladies who subscribe their names "E.Œ. Somerville and Martin Ross." Their "Some Experiences of an Irish R.M." (1899) and their "All on the Irish Shore" (1903) are like so much of the Irish writing of a generation ago,—Irish stories by Irish people for English people to laugh at.

The Hon. Emily Lawless has written many kinds of