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 hand, it is probable that Carlyle's Indian god with the fire in his belly was derived from Prince Five-Weapons.

The negro variant has also suggested to Mr. Batten an explanation of the whole story which is extremely plausible, though it introduces a method of folk-lore exegesis which has been overdriven to death. The Sasa Jātaka identifies the Brer Rabbit Buddha with the hare in the moon. It is well known that Easterns explain an eclipse of the moon as due to its being swallowed up by a Dragon or Demon. May not, asks Mr. Batten, the Pancavudha Jātaka be an idealised account of an eclipse of the moon? This suggestion receives strong confirmation from the Demon's reference to Rahu, who does, in Indian myth swallow the moon at times of eclipse. The Jataka accordingly contains the Buddhist explanation why the moon—i.e. the hare in the moon, i.e. Buddha—is not altogether swallowed up by the Demon of Eclipse, the Demon with the Matted Hair. Mr. Batten adds that in imagining what kind of Demon the Eclipse Demon was, the Jataka writer was probably aided by recollections of some giant octopus, who has saucer eyes and a kind of hawk's beak, knobs on its "tusks," and a very variegated belly (gasteropod). It is obviously unfair of Mr. Batten both to illustrate and also to explain so well the Tar Baby Jataka—taking the scientific bread, so to speak, out of a poor folk-lorists mouth—but his explanations seem to me so convincing that I cannot avoid including them in these Notes.

I am, however, not so much concerned with the original explanation of the Jataka as to trace its travels across the continents of Asia, Africa, and America. I think I have done this satisfactorily, and will have thereby largely strengthened the case for less extensive travels of other tales. I have sufficient confidence of the method employed to venture on that most hazardous of employments, scientific prophecy. I venture to predict that the Tar Baby story will be found in Madagascar in a form nearer the Indian than Uncle Remus, and I will go further, and say that it will not be found in the grand Helsingfors collection of folk-tales, though this includes 12,000, of which 1000 are beast-tales.

XXVI. THE IVORY PALACE.

Source.—Knowles, Folk-Tales of Kashmir, pp. 211-25, with some slight omissions. Gulizar is Persian for rosy-cheeked.

Parallels.—Stokes, Indian Fairy Tales, No. 27. "Panwpatti Rani," pp. 208—15, is the same story. Another version in the collection Baital Pachisi, No. 1.