Page:Ideas of Good and Evil, Yeats, 1903.djvu/300

Ideas of Good and Evil. asked 'where English got its turn for melancholy and its turn for natural magic,' he 'would answer with little doubt that it got much of its melancholy from a Celtic source, with no doubt at all that from a Celtic source is got nearly all its natural magic.

I will put this differently and say that literature dwindles to a mere chronicle of circumstance, or passionless phantasies, and passionless meditations, unless it is constantly flooded with the passions and beliefs of ancient times, and that of all the fountains of the passions and beliefs of ancient times in Europe, the Sclavonic, the Finnish, the Scandinavian, and the Celtic, the Celtic alone has been for centuries close to the main river of European literature. It has again and again brought 'the vivifying spirit' 'of excess' into the arts of Europe. Ernest Renan has told how the visions of purgatory seen by pilgrims to Lough Derg—once visions of the pagan under-world, as the boat made 290