Page:Ideas of Good and Evil, Yeats, 1903.djvu/249

The Symbolism of Poetry. music, arose from certain talks at the house of one Giovanni Bardi of Florence; and that the Pleiade laid the foundations of modern French literature with a pamphlet. Goethe has said, 'a poet needs all philosophy, but he must keep it out of his work,' though that is not always necessary; and certainly he cannot know too much, whether about his own work, or about the procreant waters of the soul where the breath first moved, or about the waters under the earth that are the life of passing things; and almost certainly no great art, outside England, where journalists are more powerful and ideas less plentiful than elsewhere, has arisen without a great criticism, for its herald or its interpreter and protector, and it is perhaps for this reason that great art, now that vulgarity has armed itself and multiplied itself, is perhaps dead in England.

All writers, all artists of any kind, in so far as they have had any philosophical or critical power, perhaps just in so 239