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 a porch and singing in incipient tenor a rhythmic lullaby beginning 'go to sleep my dus-ky ba-by.' He painted silently for some minutes and then dipped his brush in the tin of paint. Whenever he left off painting to dip the brush he sang. Once he failed to sing when he dipped the brush but instead burst forth with it in the midst of painting a long mustard streak on his porch. Ordinarily that would not have mattered to me since I am innately keyed and pitched to expect the galvanically unexpected. But to-day it made me rackingly nervous.

In the afternoon I went for a walk. Down and down, seventeen squares from here, in a quiet neighborhood a strange woman accosted me. She was pale and smartly dressed and quite drunk. She said, 'Listen—can you remember which of these corners I was to meet a friend at?' It made me feel annoyed and bewildered and sad and silly.

When I came back I read awhile—a story of Guy de Maupassant's about a little dog named Pierrot, whose owner loved him much but loved money more and could not bring herself to pay a tax of eight francs to make Pierrot's existence legal. So she threw him into a pit. As heartbreaking a tale as even de Maupassant ever wrote. It made all the loves in this world feel terrifyingly sordid. It made