Page:Hutton, William Holden - Hampton Court (1897).djvu/233

 CHAPTER V THE ART COLLECTIONS

The interest of the art collections: the china: the glass mostly destroyed.—2. The tapestries: embroidered hangings: beds: Wolsey's collection of tapestry: the great Watching Chamber: an unidentified subject: the triumph of Fate or Death: characteristics of the work: the Seven Cardinal Virtues and the Seven Deadly Sins: Flemish work: the Horn room: Bernhard van Orlay :the history of Abraham: its value: the different subjects: the richness of treatment.—3. Tapestries under Queen Elizabeth: in the Commonwealth: at the Restoration: under George I.: needlework: famous beds: carved chairs.—4. The pictures: general classification: the panel pictures in the Confessionary.—5. The Tudor pictures: Elizabeth's porter: scenes from the reign of Henry VIII.: portraits of the King: other persons of the age: the Holbeins: Sir Antonio More: Mary Queen of Scots: the four portraits of Elizabeth.—6. The collection of Charles I.: James I.'s pictures as illustrations of the history of his time: Vandyke, a prince of Court painters: Rubens: minor artists: the great works in Charles I.'s gallery.—7. The Triumph of Julius Cæsar by Mantegna: the history of the purchase: the condition and the position of the pictures: characteristics of Mantegna's work, illustrative of the Renaissance: the dignity of ancient Rome: an account of each scene of the Triumph: other works of Mantegna with the same idea.—8. Other Mantuan acquisitions in Charles's gallery: fifteenth-century painters: Jerome Bosch: sixteenth century: Giulio Romano: Milanese school: Venetians: the Shepherd of Giorgione: "The Concert:" Lorenzo Lotto: minor masters: Tintoretto: Dosso Dossi:

155