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 what anyone says. I just go straight forward, I do. That's always been my way. I'm not one of your weak knock-kneed chaps. If a woman's in trouble, I don't leave her in the lurch. That's not my street. No, thank you.

"I'll tell you another thing too. I care a good deal about improving myself by means of Literature and Art, and so getting a wider outlook. For instance, when you came in I was reading Ruskin's Stones of Venice. I don't say this to boast, but just to show you the kind of man I am. I can tell you, I enjoyed that classical concert this afternoon."

To all his moods Jacky remained equally indifferent. When supper was ready—and not before—she emerged from the bedroom, saying: "But you do love me, don't you?"

They began with a soup square, which Leonard had just dissolved in some hot water. It was followed by the tongue—a freckled cylinder of meat, with a little jelly at the top, and a great deal of yellow fat at the bottom—ending with another square dissolved in water (jelly: pineapple), which Leonard had prepared earlier in the day. Jacky ate contentedly enough, occasionally looking at her man with those anxious eyes, to which nothing else in appearance corresponded, and which yet seemed to mirror her soul. And Leonard managed to convince his stomach that it was having a nourishing meal.

After supper they smoked cigarettes and exchanged a few statements. She observed that her "likeness" had been broken. He found occasion to remark, for the second time, that he had come straight back home after the concert at Queen's Hall. Presently she sat upon his knee. The inhabitants of Camelia Road tramped to and fro outside the window, just on a level with their heads, and the family in the flat on the ground-floor began to sing, "Hark, my soul, it is the Lord."

"That tune fairly gives me the hump," said Leonard.