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Howards End never have begged; he would have flickered out and died. But the whole of life is mixed. He had to provide for Jacky, and went down dirty paths that she might have a few feathers and dishes of food that suited her.

One day he caught sight of Margaret and her brother. He was in St. Paul's. He had entered the cathedral partly to avoid the rain and partly to see a picture that had educated him in former years. But the light was bad, the picture ill placed, and Time and Judgment were inside him now. Death alone still charmed him, with her lap of poppies, on which all men shall sleep. He took one glance, and turned aimlessly away towards a chair. Then down the nave he saw Miss Schlegel and her brother. They stood in the fairway of passengers, and their faces were extremely grave. He was perfectly certain that they were in trouble about their sister.

Once outside—and he fled immediately—he wished that he had spoken to them. What was his life? What were a few angry words, or even imprisonment? He had done wrong—that was the true terror. Whatever they might know, he would tell them everything he knew. He re-entered St. Paul's. But they had moved in his absence, and had gone to lay their difficulties before Mr. Wilcox and Charles.

The sight of Margaret turned remorse into new channels. He desired to confess, and though the desire is proof of a weakened nature, which is about to lose the essence of human intercourse, it did not take an ignoble form. He did not suppose that confession would bring him happiness. It was rather that he yearned to get clear of the tangle. So does the suicide yearn. The impulses are akin, and the crime of suicide lies rather in its disregard for the feelings of those whom we leave behind. Confession need harm no one—it can satisfy that test—and though it was un-English, and ignored by our Anglican cathedral, Leonard had a right to decide upon it.

Moreover, he trusted Margaret. He wanted her hardness now. That cold, intellectual nature of hers would