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Howards End And yet—what could an explanation tell her? A date, a place, a few details, which she could imagine all too clearly. Now that the first shock was over, she saw that there was every reason to premise a Mrs. Bast. Henry's inner life had long laid open to her—his intellectual confusion, his obtuseness to personal influence, his strong but furtive passions. Should she refuse him because his outer life corresponded? Perhaps. Perhaps, if the dishonour had been done to her, but it was done long before her day. She struggled against the feeling. She told herself that Mrs. Wilcox's wrong was her own. But she was not a bargain theorist. As she undressed, her anger, her regard for the dead, her desire for a scene, all grew weak. Henry must have it as he liked, for she loved him, and some day she would use her love to make him a better man.

Pity was at the bottom of her actions all through this crisis. Pity, if one may generalize, is at the bottom of woman. When men like us, it is for our better qualities, and however tender their liking, we dare not be unworthy of it, or they will quietly let us go. But unworthiness stimulates woman. It brings out her deeper nature, for good or for evil.

Here was the core of the question. Henry must be forgiven, and made better by love; nothing else mattered. Mrs. Wilcox, that unquiet yet kindly ghost, must be left to her own wrong. To her everything was in proportion now, and she, too, would pity the man who was blundering up and down their lives. Had Mrs. Wilcox known of his trespass? An interesting question, but Margaret fell asleep, tethered by affection, and lulled by the murmurs of the river that descended all the night from Wales. She felt herself at one with her future home, colouring it and coloured by it, and awoke to see, for the second time, Oniton Castle conquering the morning mists.