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Howards End creep back, and, if all has gone well, Love joins one man and woman together in Matrimony.

Margaret had expected the disturbance, and was not irritated by it. For a sensitive woman she had steady nerves, and could bear with the incongruous and the grotesque; and, besides, there was nothing excessive about her love-affair. Good-humour was the dominant note of her relations with Mr. Wilcox, or, as I must now call him, Henry. Henry did not encourage romance, and she was no girl to fidget for it. An acquaintance had become a lover, might become a husband, but would retain all that she had noted in the acquaintance; and love must confirm an old relation rather than reveal a new one.

In this spirit she promised to marry him.

He was in Swanage on the morrow, bearing the engagement-ring. They greeted one another with a hearty cordiality that impressed Aunt Juley. Henry dined at The Bays, but he had engaged a bedroom in the principal hotel: he was one of those men who knew the principal hotel by instinct. After dinner he asked Margaret if she wouldn't care for a turn on the Parade. She accepted, and could not repress a little tremor; it would be her first real love scene. But as she put on her hat she burst out laughing. Love was so unlike the article served up in books: the joy, though genuine, was different; the mystery an unexpected mystery. For one thing, Mr. Wilcox still seemed a stranger.

For a time they talked about the ring; then she said:

"Do you remember the Embankment at Chelsea? It can't be ten days ago."

"Yes," he said, laughing. "And you and your sister were head and ears deep in some Quixotic scheme. Ah well!"

"I little thought then, certainly. Did you?"

"I don't know about that; I shouldn't like to say."

"Why, was it earlier?" she cried. "Did you think of me this way earlier! How extraordinarily interesting, Henry! Tell me."