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"We must judge Homer's characters with reference to the light of his religious creed—if creed it were—or at least with reference to the supernatural element employed in the Iliad. We shall be safe, then, in seeing Helen through Homer's eyes. We separate her unconsciously, as he does, from her fault. Look upon that as the poet does, as she does herself, as Priam and Hector and Menelaus do, as her fate, her misfortune, the wend that she has been doomed to dree,—and then, what a graceful womanly character remains! Gentle and daughterlike to the aged Priam, humble and tearful in the presence of her noble and generous brother-in-law Hector, as disdainful as she dares to be to her ignoble lord and lover,—tender, respectful, regretful, towards the gallant husband she has deserted.

So she comes in all her grace and beauty, and takes her seat by the old King's side upon the watch-tower, looking out upon the camp of the Greeks. He bids her tell him the names of such of the kings and chiefs as she can recognise. One there is who seems indeed a "king of men," by the grace of nature. There are taller warriors in the host; but none of such majestic mien and right royal bearing. It is, indeed, Agamemnon the son of Atreus, as Helen informs him,—

Another chief attracts Priam's attention, as he strides along in front of the lines. Less in stature than Agamemnon, he is broader in the chest and shoulders. Helen knows him well. It is Ulysses, son of Laertes,