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140 " as his characteristic defect, Mr Froude remarks that "while Achilles is all pride, Hector is all modesty." Both criticisms are from writers of competent taste and judgment; but both cannot possibly be true. There can be no doubt that Hector makes a considerable number of vaunting speeches in the course of the poem—vaunts which he does not always carry out; but in this respect he differs rather in degree than in principle from most of the other warriors, Greek as well as Trojan; and if the boasts of Achilles are always made good, while Hector's often come to nothing, that follows almost necessarily from the fact that Achilles is the hero of the tale. A boastful tongue and a merciless spirit are attributes of the heroic character in Homer: his heroes bear a singular resemblance in these two points to the "braves" of the American Indians; while they are utterly unlike them in their sensitiveness to physical pain, their undisguised horror of death, and their proneness to give loud expression to both feelings. Without attempting to sketch a full-length portrait, which probably Homer himself would not recognise, it may be said that Hector interests us chiefly because he is far more human than Achilles, in his weakness as well as in his strength; his honest love for his wife and child, his pitying condonation of Helen, his half-contemptuous kindness to his weak brother Paris, his hearty and unselfish devotion to his country. Achilles is the "hero," indeed, in the classical sense—i.e., he is the demi-god, superior to many of the mortal weaknesses which are palpable enough in the character of his antagonist: as little