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Rh made the last burst, of condensed, but still harmonious power; and that affecting prayer, "Look down, o Lord upon this thy family," has been recited in melancholy monotony amidst the scarcely expired echoes of that enchanting, overpowering heavenly strain, the mind remains in a state of subdued tenderness and solemnity of feeling, which can ill brook the jarring sounds of earth, and which make it sigh after the reign of true and perfect harmony."

The singing of the Passion is in reality a dramatic representation. The narrative is given by a strong, manly tenor voice. The words of Our Saviour are in a deep, solemn bass, and whatever is spoken by any other person is given in a high contralto. Each part has its particular cadence of old, simple, but rich chant suited to the character represented. That of the narrator is clear, distinct and slightly modulated, and that in which ordinary interlocutors speak, sprightly, bordering upon colloquial familiarity; but that in which Our Saviour's words are uttered is slow, grave and most solemn, beginning low and ascending by full tones, then gently varied in rich though simple undulations, till it ends by a graceful and expressive cadence, modified with still greater effect in interrogatory phrases. The magnificence of this dramatic recitation consists in the choruses, for whenever the Jewish crowd are made to speak in the history of the Passion, or indeed whenever any number of individuals interfere, the choir bursts in with its simple but massive harmony, and expresses the sentiment with a truth and energy which thrills through the frame and