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NUMBER 9 38. On Moody, see, among other references, Day, Bush Aglow, and the two editions of the biography by his son William R. Moody, The Life of Dwight L. Moody (1900); and D. L. Moody (1930). For scholarly accounts, see Luther Allan Weigle in Dictionary of American Biography [hereafter cited as DAB], vol. 13, pp. 103–106; Herbert W. Schneider's article on religious revivals in the Encyclopaedia of the Social Sciences, vol. 13, p p. 365, 366; and Bernard A. Weisberger, They Gathered at the River: The Story of the Great Revivalists and Their Impact upon Religion in America (1958), passim.

39. Memoirs of Philip P. Bliss, pp. 49–52.

40. On the royalties from Bliss's and Sankey's joint and separate publications and on the famous Gospel Hymns (which grew out of their publications and eventually, with different collaborators, went through six principal editions) see Memoirs of Philip P. Bliss, p. 332; Day, Bush Aglow, pp. 176–177, 178; W. R. Moody, Dwight L. Moody, pp. 198–209, 418; A Dictionary of Hymnology edited by John Julian (2 vols., 1957), vol. 1, p. 150; and Brown and Butterworth, Story of Hymns and Tunes, p. 418. Harris E. Starr's sketch of Bliss (in DAB, vol. 2, p. 376) incorrectly attributes Bliss's book Gospel Songs (1874) to both Bliss and Sankey, and attaches the royalties of $60,000 to that book instead of to Gospel Hymns and Sacred Songs (1875), which Bliss and Sankey jointly compiled.

41. Detty, Centennial Sketch, p. 17; and Stebbins, Reminiscences, p. 268.

42. Quoted in Moody: His Words, Work, and Workers Sketches of His Coworkers, Messrs. Sankey, Bliss, Whittle, Sawyer, and Others; and an Account of the Gospel Temperance Revival, with Thrilling Experiences of Converted Inebriates, edited by William H. Daniels (1877), p. 497.

43. Memoirs of Philip P. Bliss, pp. 52, 67–68.

44. On Bliss's last days and the accident, see Memoirs of Philip P. Bliss, pp. 90–94, 290–296; Root, Story of a Musical Life, p. 162; and Stephen D. Peet, The Ashtabula Disaster (1877). The spelling of young Phillip Paul Bliss's name with two l's is from a photograph of him in the frontispiece in Memoirs of Philip P. Bliss.

45. Root, Story of a Musical Life, pp. 139, 162.

46. Starr, in DAB, vol. 2, p. 376; and Weisberger, They Gathered at the River, p. 232.

47. From an editorial in the Chicago Inter-Ocean (no date) as quoted in Memoirs of Philip P. Bliss, p. 298.

48. Memoirs of Philip P. Bliss, p. 30; Detty, Centennial Sketch, p. 14; and Stebbins, Reminiscences, pp. 221–230. Stebbins succeeded McGranahan as Whittle's associate (Stebbins, Reminiscences, pp. 268–269).

49. Stebbins, Reminiscences, pp. 263–271; David J. Beattie, The Romance of Sacred Song (1931), pp. 161–164; and Day, Bush Aglow, pp. 175–176.

50. See Whittle's pension file, SC 995511, RG 15, National Archives.

51. On Moody's colleague Sankey, probably the most famous of the gospel singers, see Sankey, My Life; Stebbins, Reminiscences, pp. 201–220; Charles Ludwig, Sankey Still Sings (1947); The Ira D. Sankey Centenary: Proceedings of the Centenary Celebration of the Birth of Ira D. Sankey together with some Hitherto Unpublished Correspondence (1941); Helen F. Rothwell, Ira D. Sankey: A Great Song