Page:Hofstede de Groot catalogue raisonné, Volume 5, 1913.djvu/437

 SECT, xx PIETER VAN SLINGELAND 421 According to Jan van Gool, JACOB VAN DER SLUIS (1660-1732) and JOHANNES TiLius 1 (about i66o-towards 1700) were pupils of Slingeland. Both of them belong entirely to the decadence of art, and are so much weaker than their master that it is not easy to confuse their works with his. On the other hand, the works of an older contemporary named PIETER VAN DEN Bos (about i6i3-after 1660), were until lately ascribed as a matter of course to our master, to whom he shows a remarkably close relationship in his still-life pieces and kitchen-scenes. Through the researches of Bode and Bredius, this master, who had been completely for- gotten, has become for us once more a definite artistic personality. TRANSLATOR'S NOTE In the references added to the entries in the Catalogue " Sm." = Smith, " Catalogue Raisonne," vol. i. (1829). " Sm. Suppl." = Smith, "Catalogue Raisonne," Supplement (1842). A CLASSIFIED SUMMARY OF THE CONTENTS I. SAINTS AND HERMITS, 1-7. II. MYTHOLOGICAL SUBJECTS, 7<?-7^. III. GENRE-PIECES, 8-128. A. Work, 8-78. I. Intellectual work, 8-n^. a. Physicians, teachers, jurists, and other men of learning, 8-1 ir. b. Artists, 1 1 d, z. Manual work, 12-21^. a. Manual workers and dealers, 12-20. b. Beggars, fortune-tellers, and a mountebank, 21-21^. 3. Toilet and the bath, 22-23. 4. Tending children, 24-31. 5. Women sewing, making lace, or spinning, 3 2-41 a. 6. Kitchen scenes, 42-78. 1 Not Filius, as he is called by Van Gool and also by Wurzbach.