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Rh as contrasted with ancient and mythical time. His was the genius first to perceive that modern history in prose was capable of epic and dramatic treatment, especially of epic treatment. Comprehensive discursiveness is the breath of his nostrils. The tales which Hellenes and Barbarians have told with or without pertinency, the marvels they have seen, the divine judgments they have illustrated, the wealth they have amassed, the crimes they have committed, their intrigues, loves, hates, and sorrows—these and more than these are welcome to Herodotus, and if he does not find them in sufficient abundance, then like a true Homeric poet he invents or adapts to suit himself. It is often hard to distinguish what he invents from what he merely accepts, and it often matters little, acceptance or invention being alike heinous from the standpoint of the true historian. Credulity alternates in his work with reserve, and both are often childish. He has lost his faith in the gods and heroes of Homer, for he has travelled in Egypt; but he has the most implicit confidence in oracles, and often warps his story to prove fulfilment of them. He borrows largely from a predecessor like Hecataeus, and pays him no thanks but ridicule. Andrew Lang's priest in the City of the Ford of the Ox, who called Herodotus in the tongue of the Arabians "The Father of Liars," said that he "was chiefly concerned to steal the lore of those who came before him, such as Hecataeus, and then to escape notice as having stolen it." But all this simply emphasizes anew the fact that Herodotus was the prose Homer of the Persian Wars. Like Homer, he charmed his hearers and will always charm his readers. It was this charm which Thucydides could not forgive him. But Thucydides despised Homer. Those who do not despise Homer, but are edified by the play of fancy about fact, will agree with what Dionysius of Halicarnassus says about Herodotus (Epist, ad Pomp., 3, cited by Bury, p. 42): "Herodotus knew that every narrative of great length wearies the ear of the