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 not before arisen on botanical subjects; this abundance of literature, with the increased animation of its style, excited a more permanent interest, which spread beyond the narrow circle of the professional adepts. The systematists abovenamed endeavoured to perfect the morphology and the terminology of the parts of plants, and they found ready to their hands in the works of their predecessors a considerable store of observations and ideas, upon which they set themselves to work. A very great number of descriptions of individual plants had been accumulated since the time of Fuchs and Bock, and the fact of natural affinity had been recognised in the 'Pinax' of Kaspar Bauhin as the foundation of a natural system; Cesalpino had pointed to the organs of fructification as the most important for such a system, and Jung had supplied the first steps to a comparative morphology in place of a mere explanation of names. The botanists of the last thirty years of the 17th century could not fail to perceive that the series of affinities as arranged by de l'Obel and Bauhin could not be defined by predetermined marks in the way pursued by Cesalpino, nor fashioned in this way into a well-articulated system. Nevertheless they held fast in principle to Cesalpino's mode of proceeding, though they endeavoured to amend it by obtaining their grounds of division, not as he had done, chiefly from the organisation of the seed and fruit, but from other parts of the flower; variations in the corolla, the calyx, and the general habit were employed to found systems, which were intended to exhibit natural affinities. And while the true means were thus missed, the end itself was not clearly and decidedly adhered to; a system was desired for the purpose of facilitating the acquisition of a knowledge of the greatest possible number of individual forms; the weight of the burden caused by the foolish demand that every botanist should know all described plants, was continually increasing, and naturally led to seeking some alleviation in systematic arrangement. Excessive devotion to the describing of plants