Page:History of Modern Philosophy (Falckenberg).djvu/77

 three constitute the kingdom of joy. The fifth quality is called light or the warm fire of love, and has for its functions external animation and communication; the sixth, report and sound, is the principle of inner animation and intelligence; the seventh, the formative quality, corporeality, comprehends all the preceding in itself as their dwelling.

The dark fire of anger (the hard, sweet, and bitter qualities) and the light fire of love (light, report, and corporeality), separated by the lightning-fire, in which God's wrath is transformed into mercy, stand related as evil and good. The evil in God is not sin, but simply the inciting sting, the principle of movement; which, moreover, is restrained, overcome, transfigured by gentleness. Sin arises only when the creature refuses to take part in the advance from darkness to light, and obstinately remains in the fire of anger instead of forcing his way through to the fire of love. Thus that which was one in God is divided. Lucifer becomes enamored of the tart quality (the centrum naturae or the matrix) and will not grow into the heart of God; and it is only after such lingering behind that the kingdom of wrath become a real hell. Heaven and hell are not future conditions, but are experienced here on earth; he who instead of subduing animality becomes enamored of it, stands under the wrath of God; whereas he who abjures self dwells in the joyous kingdom of mercy. He alone truly believes who himself becomes Christ, who repeats in himself what Christ suffered and attained.

The creation of the material world is a result of Lucifer's fall. Böhme's description of it, based on the Mosaic account of creation, may be passed without notice; similarly his view of cognition, familiar from the earlier mystics, that all knowledge is derived from self-knowledge, that our destination is to comprehend God from ourselves, and the world from God. Man, whose body, spirit, and soul hold in them the earthly, the sidereal, and the heavenly, is at once a microcosm and a "little God."

Under the intractable form of Böhme's speculations and amid their riotous fancy, no one will fail to recognize their true-hearted sensibility and an unusual depth and vigor of