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 45 6 SC HE LUNG. the goal of history, in which caprice and conformity to law are one, in so far as the conscious free action of individuals subserves an unconscious end prescribed by the world-spirit. History is the never completed revelation of the absolute (of the unity of the conscious and the unconscious) through human freedom. We are co-authors in the historical world-drama, and invent our own parts. Not until the third (the religious) period, in which he reveals himself as "providence," will God be; in the past (the tragical) period, in which the divine power was felt as " fate," and in the present (the mechanical) period, in which he appears as the " plan of nature," God is not, but is only becoming. An interesting supplement to the Fichtean philosophy is furnished by the third, the (Esthetic, part of the transcen- dental idealism, which makes use of Kant's theory of the beautiful in a way similar to that in which the philosophy of nature had availed itself of his theory of the organic. Art is the higher third in which the opposition between theoretical and practical action, the antithesis of subject and object, is removed ; in which cognition and action, conscious and unconscious activity, freedom and necessity, the impulse of genius and reflective deliberation are united. The beauti- ful, as the manifestation of the infinite in the finite, shows the problem of philosophy, the identity of the real and the ideal, solved in sensuous appearance. Art is the true organon and warrant of philosophy; she opens up to phi- losophy the holy of holies, is for philosophy the supreme thing, the revelation of all mysteries. Poesy and philosophy (the aesthetic intuition of the artist and the intellectual intuition of the thinker) are most intimately related; they were united in the old mythology — why should not this repeat itself in the future ? 2. System of Identity. The assertion which had already been made in the first period that " nature and spirit are fundamentally the same," is intensified in the second into the proposition, "The ground of nature and spirit, the absolute, is the identity of the real and the ideal," and in this form is elevated into