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 CHRONOLOGICAL SYNOPSIS BOOK FOUR: BLOSSOMS OF RENASCENCE IN ASAMIYA LITERATURE I. THE PRELIMINARY FACTS OF THE Pos. Historical Survey. Social Back- ground. Revival of Learning. (pp. 122-125). II. LINGERING MAVAL SONGS AND Ercs. Epies of Snake-workship. Poet Durgibar. Oja Pali Institution. Sukavi Nariyandew. Sorrows of Kali Nig. Sasthibar. Arithmetical, astrological and ethi- cal verses. Bakul Kayastha. Pagan poetry on the Bhigawat. An carly North- India Mahibhiret (pp. 125-126). IIL PREPARATIONS FOR THE THEATRE OF RENAISSANCE. Migrations of the Bira-Bhuyls. Early life of Sankardow. A finished scholar. An early dramatist. A Guru of Gurus. Pilgrimage for twelve years. Surrender of hereditary secular leadership. Early life of Madhawdew. A scholar in fata lore. An eple meeting. The historie debate. Abandoning eastern Asam. Närkyan alias Bhawinanda. Damodardew, Sankar-Süryya and Caitanya-Candra. At Koe Behár. The great end of Bahkardew. An unfortunate split. Similar versions. Midhaw- dew's leadership. At Kocbehir. Uncompromising votary of truth. The great end of Midhawdew. (pp. 136-160). IV. Tim Case OF THE The or RENASCENCE A BLOOM OF Erics. Sankardew's earlier works. Cihna Yatrd. Uddhava Sambid. Bhakti's supremacy. Orhead-varean. Hariscandra Upakhyn. Rulmmisi Heran Key Tremendous popularity. Magleal descriptions. The comic and the human elements. Bhakti Pradip. Superiority of Bhakti. Utters Kinda. Verse-rendering of the Bhigawat Anddi Pisen. Byhet Ajámil Uplkhyls. Remains of Sankar- dew's food. Bhakti Ratniker. Nissi Neva Siddha Sambid. Togey. Gemila in Kusum-máls. B. KTAN GHOSA. Caturelesati Awatir, Nimiparidh. Planda Merdes. Dhyne-varnan. Ajamil Updlhyds. Prehlad Carit. Gajendropakkin. Hara-Mohen. Bali-chales. Aliu Lild. Rise Kridä. Kerse bedh. Copi-Uddhava Sambid, Kubjir Väicha Pinde. Akrárer Välehd Perla, Jardaandhe Badh. Kala- Janan Badh, Mueuleunds Stuti, Sylmentaks Heren. Nåreder Kysa-Derian. Vips- putra Anayan. Deieskir Patre Anayen. Vede-stuti. Lili-Mai. Avi Kryear Val- kunghe Prayle. C. CRADLE OF ASAMIYA PLAYS AND Prose. Originality. Differences, The Aslya Satradhár. Rise of Modern Indian Prose. Patni Presid. Prijat Heres, Ni. D. RE or BAG. Sankardew's originality in Philosophy and Lite- rature. (pp. 100-228). V. THE SOLAR SYSTEM OF ASAMIYA RENASCTCE. A. MADAW- DEW'S GREAT CONTRIBUTION. Early works. Bhekti-Ratnäteell. Nam Malik, Nim Ghop. A great literary masterpiece. Spurious works. Cordhen Nit. Pimpend Gued Na Bhimi Lotowl Net. Suspected Plays Bargits. B. O GAT LA Harlearan Ananta Kandall. Byttir Belk. Kunar Heras. Ratni- kar Kandall. Sridhar Kandall Kisklou. Aniruddha Rim Saraswati. Patron- nge of king Nara Näriyan. Autobiographical colophons. Date of Aniruddha Bhim Cerit. C. CONTRIBUTIONS OF MINOR PORTS. Sirva-Bhauma Bhatticlayya Vidy Pulcinan. Rim Saraswati, a dupliente. Kamsiri Kayastha. Rimearan Gajapati's Dipol Candra. Aniruddha, founder of the Maymari seet. Ratnakar Miira D. Cost or me. Vaikunthanith Bhattadew, the last flower of the renascence. Development of Asamiyä prose. Momentum of the tide. The Mid- mard upheaval. The Asamiya Renascence. (pp. 228-279). xlv BOOK FIVE: THE POST-RENASCENCE ASAMIYA LITERATURE. 1 PHILINANT FACTS OF P. Political Summary. Miyimarl Upheaval. Development in Prose. (pp. 280-283). 11. CONTINUANCE OF REAS LARG Rendering of the Rimlyana literature. Hedayananda eller Ananta Ati. Rim Mira Purupottam Thakur, Riminands Dvija. Bhusan Dvija. Bhavinanda. Rimeandra Barpátra. Rimnih Mahanta. Nariyandis. Kaviraj Cakravart. Miscellaneous