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96 and playing on his flute melodies that fill the souls of all that hear them with an irresistible passion of love and delight; it revels in tales of how the precocious boy made wanton sport with the herdswomen of Vraja, and how the magic of his fluting drew them to the dance in which they were united to him in a rapture of love. The book thrills with amorous, sensuous ecstasy; the thought of Kṛishṇa stirs the worshipper to a passion of love in which tears gush forth in the midst of laughter, the speech halts, and often the senses fail and leave him in long trances. Erotic emotionalism can go no further.

Where did this new spirit come from? Some have laboured to prove that it had its source in Christianity; others have argued that it was Christianity that was the debtor to India in this respect. Both theories are in the main impossible. This cult of the child Kṛishṇa arose in India, and, with the possible exception of a few obscure tales, it never spread outside the circle of Indian religion. But how and where did it arise? That is a question hard to answer; there is no direct evidence, and we can only balance probabilities. Now what are the probabilities?

The worship of Kṛishṇa as a babe, a boy, and a young man among the herdsfolk of Vraja seems to have no relation with the older form of the religion as set forth in the epic textbooks. It is a new element, imported from without. The